to support residencies by Romanian artists Iosif Kiraly, Cristina David, and Alexandra Croitoru in Santa Monica as part of 18th Street Arts Center’s New Media Collaborations VII in 2012.

to enable members of Alarm Will Sound to travel to Krakow, Poland, to participate in the Sacrum Profanum Music Festival in September 2011.

to bring four members of AIA and one Aleut Elder from Nikolskoye, Russia, to the AIA biannual board meeting in Anchorage, Alaska, in summer 2011.

to enable two Russian choreographers/dancers/teachers and two ADF faculty members to participate in a residency exchange as part of ADF’s 2011 season.

to present Russian choreographer Tatiana Baganova’s company in New York as part of a special ADF off-site program in 2012.

to enable researchers to travel to Kutaisi, Georgia, to participate in conservation and training activities at the Gelati Monastery in 2011 and 2012.

to continue A.R.T.’s long-term collaboration with the Moscow ART Theatre and to support the American premiere of Nutcracker Turbo, staged by Hungarian director Janos Szasz during A.R.T.’s 2012-2013 season.

to support the travel costs of four American experimental filmmakers to travel to Prague in 2012 to screen and discuss their works, critique student work, and lead small group discussions at the Film and TV School at the Academy of Performing Arts Prague.

to support the international travel costs for artists, curators, art professionals, and institutional partners from Eastern and Central Europe to participate in an international symposium celebrating Art in General’s 30th anniversary and the Eastern European Residency Exchanges 10th anniversary in New York in spring 2012.

to provide support for the exhibition Light Years: Conceptual Art and the Photograph, 1964-1977 through March 2012.

to bring members of the Mongolian music ensemble Arga Bileg to perform in Denver, New York, and Seattle in fall 2011.

to enable members of Bang on a Can to travel to Krakow, Poland, to participate in the Sacrum Profanum Music Festival in September 2011.

to support the international travel costs for Kyrgyz jaw harpists, Kambar Kalendarov and Kutman Sultanbekov, to participate in the JAW Project in 2011.

to enable members of Bill T. Jones/Arnie Zane Dance Company to perform in Russia in fall 2011 as part of the Art November Festival held annually in Moscow.

to support the travel costs for the Budapest-based theater troupe BLOOM! to tour its work City and to conduct residencies in New York City, Philadelphia, and Pittsburgh in spring 2012.

to bring the Maly Drama Theater to BAM for the company’s spring 2012 North American tour of Chekhov’s Three Sisters.

to enable three emerging artists from Central and Eastern Europe to participate in the International Summer Program at the Watermill Center in 2011.

to bring artists Elena Bashkirova, Valery Gergiev, and Anna Netrebko to perform with the Mariinsky Orchestra at Carnegie Hall’s 120th season celebration of Tchaikovsky in October 2011.

to support Larry Appelbaum's travel to Russia in June 2011 to research and advise on the creation of a Russian Jazz Archive in connection with the Library of Congress Open World program.

to bring seven American artists to Russia for two-week residencies from September 2011 to June 2012 in connection with VisArt Celebration: 15 Years of Collaborative Creative Exchange.

to enable Masha Pyshkina's outreach activities in support of a new program based on the model of Open World Cultural Leaders, an exchange funded by the United States Library of Congress that organized professional visits to the United States for young Russian cultural practitioners.

to support exchanges in 2012 in connection with ArtsLink Awards Program.

to support the travel expenses for street art specialists Marc and Sara Schiller to speak to local audiences about public art and assist with local artist design projects and to support workshops with six American artists in Kaliningrad, Nizhny Novgorod, Krasnoyarsk, Petrozavodsk, Kemerovo, and Yekaterinburg as part of The ArtsLink Festival in St. Petersburg in April 2012.

to support travel costs for eight artists to participate in a three-week collaboration with the new CEC ArtsLink initiative, One Big City.

to support the travel costs of the Georgian folk ensemble Basiani to tour, attend master classes, and conduct residencies in California, Florida, Illinois, Michigan, Minnesota, New Hampshire, New York, and Texas in October 2012.

to support the participation of four independent artist groups from Albania, Bulgaria, Croatia, Macedonia, Slovenia, and Serbia at the New York Queer Festival in June 2012.

to support 2012 travel costs for the CITD’s programmatic activities in Central and Eastern Europe and Russia, with a particular focus on Hungary and Bulgaria.

to bring artistic director Brian Rogers to Bucharest, Romania, to assist in the creation and premiere of Cosmin Monalescu’s Available in November 2011.

to support the international travel expenses in connection with the tour of Andrei Malaev-Babel’s Babel: How It Was Done in Odessa to Ukraine and Russia in July 2011.

to bring five members of the ensemble to the Roaring Hooves Festival in Mongolia in June 2011.

to enable Katerina Seda and Eda Cufer of Neue Slowenische Kunst to participate in the 2011 Creative Time Summit.

to bring three artists from Central and Eastern Europe and Russia to participate in the 2012 Creative Time Summit in New York and to support the travel of one Creative Time staff member to the region to interview socially engaged artists for Artists on the News.

to provide renewed support for travel expenses in 2011 of artists, arts managers, performing arts presenters, and festival directors from the United States and Central and Eastern Europe participating in the East/Central Europe Cultural Partnership Program as part of DTW's Suitcase Fund.

to support an exchange involving two Hungarian dancers, chosen by the Workshop Foundation in Budapest, participating in a three-week residency at Dance/UP in Philadelphia in fall 2012.

to enable seven Central and Eastern European dance professionals to attend the July 2011 Annual Conference in Chicago.

to enable American dancers, choreographers, and dance teachers from the Bay Area to travel to Russia as part of a project entitled SF-MOSCOW Exchange in 2012.

to support the creation and premier of the performance piece The Grand Parade in the United States and Russia in connection with DET’S 30th anniversary.

to support three major exchange trips as part of the organization’s new international initiative, the U.S./Bulgaria Stage Directors Exchange project in 2011.

to support participation by American musicians and curators in the Unsound Festival Krakow in October 2011.

to support the airfare for Unsound director Mat Schulz and artists from Belarus, Estonia, Georgia, Poland, Romania, and Slovenia to participate in Unsound New York festival in April 2012.

to enable members of Elevator Repair Service to travel to the Czech Republic to perform Shuffle at the 2011 Prague Quadrennial in June 2011.

to bring O’Neill staff administrators to Moscow for the 20th anniversary of the theater’s partnership with the Moscow Art Theater School in December 2011; and to bring two members of the Moscow Art Theater School’s staff to attend an anniversary performance and reception at the Baryshnikov Arts Center in January 2012.

to enable members of FACT/SF to travel to Russia to perform Pretonically Oriented v.3 and The Consumption Series and to hold master classes in Chelyabinsk, Kostroma, Moscow, and Yekaterinburg in spring 2012.

to bring three Czech filmmakers to participate in the 57th Robert Flaherty Film Seminar in June 2011.

to support the international airfare costs for curators and photographers from Belarus, Russia, and Ukraine to travel to Houston to participate in the 14th International FotoFest Biennial in spring 2012.

to bring ten award recipients from twenty countries to the United States in 2011 and 2012 as part of the Young Visual Arts Awards program.

to enable emerging American visual and performing artists to present their work in Eastern and Central Europe as part of FCA's 2012 Emergency Grants Program.

to send the LeeSaar The Company members to the Zawirowania Festival in Warsaw, Poland, in summer 2011 for the premiere of their new piece, FAME solos and duets.

to enable members of the Nature Theater of Oklahoma to travel to Tallinn, Estonia, to give performances of Life and Times - Episode 1 in June 2011.

to enable Central and Eastern European participation in David Michalek’s Portraits in Dramatic Time as part of the 2011 Lincoln Center Festival.

to support a residency at the Goodman Theatre for the members of the Belarus Free Theatre in January 2011.

to bring Lukasz Jastrubczak to Headlands and Carla Kihlstedt to the Center for Contemporary Art in Warsaw for three-month residencies as part of the 2011 United States-Poland Artist in Residency Exchange Program.

to bring Borut Separovic, director of the Croatian performance group Montazstroj, to New York City in March 2012 for the development of HERE’s 2013 American premiere of Timbuktu.

to support the continued collaboration between Serbian actress and vocalist Ana Sofrenovic, and American choreographer and vocalist Peter Sciscioli.

to support residencies for Russian artist Natalia Pershina, Czech artist Robert Salanda, and a Hungarian Gabriella Csoszo, at ISCP from August 2011 to March 2012.

to enable five American theater critics and journalists to travel to Pecs, Hungary, for the POSzT Festival in June 2011.

to support a three-month residency for a Russian visual artist at the American Academy in Rome in 2011-2012.

to enable Czech artists Nathalie Frank and Lukas Prudek; Hungarian artist Angela Hont; and Russian artists Daria Kim, Evgeny Stodushny, and Elena Tupyseva to participate in the Kennedy Center Summer International Fellowship in 2011.

to support the travel costs for three Washoe leaders to travel to Russia to exchange best practices for sustainable eco-tourism, cultural preservation, cultural and religious education, and intergovernmental negotiation techniques in spring 2012.

to enable the The Budapest Festival Orchestra’s semi-staged production of Mozart’s opera, Don Giovanni, to be performed at the 2011 Mostly Mozart Festival in New York in summer 2011.

to support The Tenth International Festival of Movement and Dance on the Volga in Yaroslavl and Kostroma, Russia in August 2012.

to support Agnieszka Kurant’s and Jackie Sumell’s participation in an American-Polish residency exchange with the Center for Contemporary Art Ujazdowski Castle in Warsaw, Poland, in 2011 and 2012.

to enable curators and other staff from the Met and the State Hermitage Museum in St. Petersburg to participate in the Met/Hermitage 2011-2012 bilateral exchange program.

to enable Russian and American curators and museum managers to participate in the 2012 Kremlin Museum/Metropolitan Museum Exchange Program.

to support participation by artists from the United States in the 2011-2012 American Season at the Centre for Contemporary Arts Ujazdowski Castle in Warsaw, Poland, and to allow Polish curators to conduct research in New York City.

to enable Olga Sviblova to travel to Chicago, Los Angeles, New York, and San Francisco to research new technology, interactive art, and exchange best practices in February 2011.

to bring curator Roxana Marcoci to Zagreb, and artist Sanja Ivekovic, and dancer Sonja Pregrad to New York in connection with the exhibition titled Sanja Ivekovic: Sweet Violence in December 2011.

to support a bilateral curatorial exchange program between the Pushkin Museum of Fine Arts in Moscow, the State Russian Museum in St. Petersburg, and the Museum of Modern Art to enable curatorial research for exhibitions, provide access to collections at each institution, and enable administrators to share best practices in 2011 and 2012.

to enable polish dancers Marta Ziolek and Karol Tyminski to perform at the Performance Mix Festival Spring 2012 and to participate in a ten-day residency in March 2012.

to enable artists from Central and Eastern Europe to travel to New York in in July 2011 to develop public programs and to present the exhibition OSTALGIA.

to support travel expenses in 2012 of artists, arts managers, performing arts presenters, and festival directors from the United States and Central and Eastern Europe participating in NYLA’s Suitcase Fund.

to support Lithuanian playwright Marius Ivaskevicius's travel to the United States to perform a staged reading of Close City in May 2011.

to support American participation in a symposium and exhibition entitled 10 Years of Cooperation of AFAD with American Institutions at the Academy of Fine Arts and Design in Bratislava, Slovakia, in February 2012.

to support the 2012 Photograph Conservation Internship program.

to bring poets Charles Stein and Dorota Czerner, and composer Benjamin Boretz to Daugavpils and Riga, Latvia, to translate, compose, and set music to poetry at the Latvia-America Music Poetry Confluence in September 2011.

to enable four American artists to travel to Minsk, Belarus, to collaborate with Liubou Zhuromskaya to hold workshops, and to develop a performance piece entitled Finding Bialowieza Forest to be staged in Minsk in summer 2012.

to enable curator Pavel Zustiak and his collaborators to tour The Painted Bird (Part I): Bastard in the Czech Republic, Poland, and Slovakia in fall 2011.

to support travel costs for Hungarian philosopher Tamás Gáspár Miklos to give the key note speech, and Hungarian theater and film director Kornél Mundruczo to stage Ice Trilogy by Vladimir Sorokin at the PEN World Voices Festival of International Literature in May 2011.

to bring three members from the Russian creative firm D3 Media Group; Rinat Timerkaev, the director of the firm’s animated film based on Mikhail Bulgakov’s novel The Master and Margarita; and two members of Kiev-based Processional Arts to New York for the 2012 PEN World Voices Festival.

to bring Croatian artist Petra Zanki and Bosnian artist Tea Tupajic to New York for a four-week residency and to present a live performance and audio installation of The Curator’s Piece in spring 2012.

to support Under the Radar Festival staff Mark Russell and Meiyin Wang to travel to the dunaPart Festival in Budapest, Hungary, in January 2011.

to extend the visit of Belarus Free Theatre members as part of the 2011 Under the Radar Festival's presentation of Being Harold Pinter in January 2011.

to support Central and Eastern European participation at the Salzburg Global Seminar in spring 2012.

to support the Russian National Orchestra's travel to the United States to perform with the US Army Brass Quintet at the Festival del Sole in Napa Valley, California, in July 2011.

to send members of DEREVO to perform La Divina Commedia and members of Liquid Theatre to perfom Antidot at the 2012 San Francisco International Arts Festival and in the 200th anniversary celebrations at Fort Ross, California.

to support a bilateral exchange between Sandglass Theater and the Bialystok Puppet Theater from Bialystok, Poland, on the creation and premiere of The Blackbirds of Bialystok in 2012.

to support travel for Single Carrot Theatre artistic director, Nathan Cooper and journalist John Barry Sofia, Bulgaria, to attend The Festival of the Independent Bulgarian Theatre in November 2011.

to bring the three founding members of Skewed Visions to Iguan Dance Theatre in St. Petersburg, Russia, to collaborate on a new project entitled Invisible Architectures in fall 2012.

to bring Kalyi Jag, a group of Roma musicians and dancers, from Hungary to Washington D.C. to perform a concert of Roma music and discuss Roma culture at a symposium as part of the 2012 Smithsonian Folklife Festival.

to support the production expenses related to the presentation of Goran Bregovic & His Wedding and Funeral Orchestra in October 2011.

to support Annie Baker’s travel to Moscow and St. Petersburg for a playwright/translation exchange with Mikhail Durnenkov and Yekaterina Raikova.

to enable the Flexible Orchestra to travel to Wroclaw, Poland, to perform concerts and hold a workshop lecture series in July 2011.

to send the Flexible Orchestra to Wroclaw, Poland, to create a concert and workshop lecture series in July 2012.

to support travel costs for Grzegorz Jarzyna and a 25-member cast to present TR Warszawa’s production of Festen at St. Ann’s Warehouse in spring 2012.

to support Unfolding Narratives: Art Histories in East-Central Europe after 1989, three seminars in Brno, Bucharest, and Tallinn; and a week-long residency for 12 East-Central Europeans participating in the 2011 Clark Conference.

to bring American musician Hugh Livingston to the Czech Republic to collaborate with geologist Václav Cílek to develop a site-specific sound instillation entitled CelloHouse Slavonice.

to bring textile experts from Uzbekistan and Tajikistan to attend the Textile Society of America’s biennial symposium in Washington, D.C., in September 2012.

to support Slovakian artists Magda Stanová and Oto Hudec's travel to Chicago to present their works at Threewalls's Voices From the Center in winter 2011.

to support Hungarian director István Szabó's travel to Chicago to participate in a six-week residency and to direct The Word Progress on My Mother's Lips Doesn't Ring True in fall 2011.

to bring Nina Felshin, Andrew Boyd, and Yevgeniy Fiks to travel to the 4th Moscow Biennial of Contemporary Art to present Media Effect: Art of Action, to hold social art demonstrations, and to conduct workshops about contributed works in summer 2011.

to bring Roma musicians Reyhan and Husnu Tuzsuz to the Voice of Roma 16th Annual California Herdeljezi Festival in spring 2012.

to enable Serbian artist Braco Dimitrijevic to travel to New York to present his solo exhibition Louvre is my Studio, Street is my Museum-A Survey in April 2011.

to enable two members of the Williamstown Art Conservation Center to travel to Ulaanbaatar, Mongolia, to train staff on painting conservation techniques.

to support Yury Yrnov’s participation in a year-long artistic residency at Woolly Mammoth Theatre during the 2011/2012 production season.

to support Janeil Engelstad’s travel costs to Bulgaria and Central Europe to conduct curatorial research for an internet-based project associated with Arcadia Picture’s documentary film Angel Wagenstein: Arts is a Weapon and exhibition Unfree Freedom.

to support the travel expenses for four American playwrights and three faculty members of the School of Drama to travel to Moscow in summer 2011 to participate in a Playwriting Residency Exchange at the Playwright and Director Center there.